Last night Othman and I went to an incredibly interesting event—the screening
of Alfred Hitchcock's very first film, called The Pleasure Garden. It was held
at the 7eme Art cinema in Rabat and
was part of a British Council Morocco’s third annual “British Film Week”. British Council does lots more than just hire people like me to teach English, but I don't often get to experience those different aspects of the organization. Last night was an absolutely wonderful exception!
The movie was filmed in 1926 (!!) when Hitchcock was just 27 years old, and is
a silent film about two dancing chorus girls and their eventful love lives.
Watching a silent film would generally not be the most interesting of
activities, but this one was accompanied during its entirety by British
composer and musician Stephan Horne, on no less than four separate instruments.
I had never actually seen a silent film before, and it
was really more fun than I had anticipated. Sitting in the darkened theater in
downtown Rabat, just a few rows away from the musician, I felt transported back
in time. In older movies we've all seen theaters full of moviegoers in the
early 20th century laughing along with a silent film and its accompanying
pianist, and last night I was a part of one of those audiences! Although the
movie was most decidedly a drama, and not a comedy, the fact that it was silent
meant that there was a fair amount of slapstick humor involved. It was also
interesting to note how every gesture and expression had to be exaggerated,
similar to stage acting, due to the nature of the silent film. Though the
actors' performances were very different from what we're used to in modern
movies, they left no doubt of their talent!
One thing that I had never given any thought to before
was a very interesting coloring technique used in the movie. Yes it was black
and white, but the entire screen would be tinted a different color depending on
the setting or the mood of the scene. Outside, nighttime shots were tinted
blue, inside shots an unobtrusive yellow, candlelight dinners had an orangey
glow. It was a fascinating and very interesting addition to the overall
experience!
Another observation I made was how little dialogue is
actually needed for one to understand a story. Very often throughout the movie
the characters would interact and talk but the audience was simply left to
surmise what they said. Amazingly, it worked incredibly well. The shots in
which the screen had a static background and words were displayed were used at
a minimum to move the story along, and rarely for dialogues. They slows down
the story a lot because they were left up on the screen for a significant
amount of time to ensure everyone had time to read and understand. At times I
even felt annoyed with the words, having already guessed what was written in
their content. It was all very far from what I had vaguely assumed going in—namely
that every scene would be accompanied by one.
The star of the night, however, was most certainly the composer and musician,
Stephan Horne. We ended up sitting just in front of some British Council
colleagues of mine who also travelled from Casablanca for the showing, and we
were directly behind Mr. Horne. Throughout the film I kept an eye on him,
watching his seamless transitions from piano to accordion to mini-harp to
flute, and often marveled at how he would play two instruments at once! (The
flute-piano combination was rather mind-boggling.) At the darkest and most
intense parts he even started banging on the strings on the INSIDE of the baby
grand! He never faltered, and matched the mood of the movie incredibly well,
and even provided sound for the inevitable-in-Hitchcock-films gunshot. Apparently
he’s somewhat of a Hitchcock aficionado which made his contribution even more
special. After the film ended and a bunch of British Council attendees has made
a circle outside the theater to discuss it, he made an appearance and we were
able to express our admiration and ask a few questions. He said he’s a full
time musician and right now his main source of work/income is travelling around
the world to silent film festivals and doing what he did last night! What an
incredibly interesting niche market job! If anyone reading this will be in San
Fransisco in April and May he said he’ll be there for a festival then.
Blurry, but look at that talent! |
This link has more information about the film week, which extends
through Wednesday in Rabat and will also be travelling to Agadir and Tetouan in
the coming weeks. Don’t miss it!!